AUSTRIAN AUDIO DMK1 | Drum Mic Kit | Includes 1x Oc-b6, 2x Oc18, 1x Cc8, 3x Oc7, & 1x Od5

DMK1

Drum Microphone Kit

Unlock the full potential of your drum kits with the Austrian Audio DMK1, an 8-mic bundle that combines three different large-diaphragm condensers (one OC-B6 and two OC18s), a CC8 hi-hat condenser mic, three OC7 tom condenser mics, and the OD5 dynamic snare mic, with four drum clips, three windscreens, seven mic clamps, and a waterproof touring case.

OC-B6 Cardioid Large-Diaphragm Bass Drum Condenser Microphone 

Experience the pure, uncolored kick tone of the world's first large-diaphragm condenser mic designed specifically for kick drums with the Austrian Audio OC-B6. Sporting a 1" true condenser capsule, which has been specially tuned for handling extremely high SPLs up to 170 dB, the OC-B6 delivers consistent results from any mic position, whether inside or outside the shell.

A fixed 25 Hz subsonic filter helps to eliminate unwanted rumble, allowing you to get a pure bass drum tone that does not need any pre-EQ processing. The 220° swivel head allows for perfect, effortless positioning. The mic is compact and robust and features an integrated mic thread—no mic clip required. Each OC-B6 is handcrafted in Vienna, Austria.

CKR6-B Capsule

Integral to the performance of the OC-B6 is the CKR6-B capsule, which has been specially designed to withstand the high SPLs of a kick drum whilst delivering a pure, uncolored kick tone.

• 1" large-diaphragm true condenser capsule, the first in the world dedicated to kick drum recording
• Edge contacted
• Specially tuned for extreme SPLs via an increased distance between diaphragm and backplate
• Patented ceramic isolator
• Handmade in Vienna

Flexible Positioning with Consistent Results

The new OC-B6 Bass Drum Microphone delivers excellent results from all standard kick drum mic positions. Unlike many other kick mics which use dynamic capsules that suffer from proximity effect, the OC-B6 is designed to perform consistently whether it’s placed outside the drum, right at the port, or inside the shell.

This flexibility allows engineers to adapt quickly to different styles, stages, and recording situations without switching microphones. With the OC-B6, you have one mic that covers every approach to kick-drum miking, making it a reliable and versatile solution for both live and studio environments. 

OC18 Studio Set Large-Diaphragm Cardioid Condenser Microphone

Designed by a team of former AKG personnel, the Austrian Audio OC18 Studio Set is a large-diaphragm studio condenser microphone offering detailed audio capture for vocalists, voiceover artists, musicians, and producers in personal and commercial recording facilities. The handmade 1" ceramic capsule features a gold-plated polymer membrane and a cardioid polar pattern, which yields reliable on-axis directivity with enhanced off-axis rejection. Front-panel switches are provided for easy access to the pad and roll-off settings.

Set the pad to -10 or -20 dB to avoid distortion when miking loud sources such as drums or guitar cabinets. Activate the high-pass filter at 40, 80, or 160 Hz for attenuation of low-frequency problems including rumble and proximity effect. The OC18's housing is constructed of zinc-aluminum alloy for strength and durability. The OC18 Studio Set includes a vibration-reducing shockmount, a traditional mic clip, a windscreen for mitigating noise from breaths and blasts of air, and a protective carry case. Being 48 VDC phantom powered, the OC18 does not require batteries or an external power supply.

Handcrafted Condenser Capsule

Handcrafted CKR6 ceramic capsule like the CKR12 capsule, but with a single diaphragm

Precision Matching

Matched within 1 dB of every other OC18 or OC818 to allow the creation of stereo pairs (additional microphones available separately)

Studio Sound Quality

High sensitivity and low self-noise means it can handle everything from a whisper to extreme SPLs without distortion

Onboard Settings

Two-stage pad (-10 or -20 dB) to prevent distortion and high-pass filter with three positions (40, 80, or 160 Hz) for reduction of low-frequency rumble and excessive bass 

• Single-diaphragm CKR6 handcrafted ceramic capsule
• Debuts Austrian Audio's Open Acoustics Technology
• Cardioid polar pattern
• Balanced 3-pin XLR output connector
• 48V phantom powered
• Includes shockmount, mic clip, windscreen, and protective carry case 
• Engineered and manufactured in Austria

CC8 Cardioid Small-Diaphragm Condenser Microphone

The CC8 small-diaphragm condenser microphone offers smooth and detailed audio capture that's ideal for recording acoustic instruments, such as piano, acoustic guitar, violins, and percussion, in personal studios and commercial recording facilities. The CK1-inspired capsule features a durable, gold-coated diaphragm and a precise cardioid polar pattern, which yields reliable on-axis directivity and reduced pickup of background noise at the rear and sides of the mic.

Switches are provided on the back of the CC8 for easy access to the pad and roll-off settings. Set the pad to -10 or -20 dB to avoid distortion when miking loud sources such as drums or guitar cabinets. Activate the high-pass filter at 60 or 120 Hz for attenuation of low-frequency problems, including rumble and proximity effect. Every CC8 is produced to a tolerance of ±0.5 dB at 1 kHz to enable tonal consistency and convenient matching with any other CC8.

Easy to Pair

The CC8’s small dimensions allow targeted positioning, even in tight and difficult places, both in the studio and on stage. Before leaving the factory, each microphone is measured and tuned (in a special in-house anechoic chamber) to a tolerance of max ±'0.5 dB sensitivity at 1 kHz. This means that any CC8 can be match paired with any other, regardless of production dates.

OCC7 Capsule

At the heart of the Austrian Audio CC8 microphone beats the OCC7 condenser capsule. Inspired by the legendary CK1, the OCC7 delivers all the benefits of that classic design updated to meet the demands of today.

The capsule’s 3 micron-thick, gold-coated, polyethylene naphthalate (PEN) diaphragm is much more robust than conventional mylar alternatives. The fabric filter ensures constant broadband cancellation, attenuating sound coming from the sides and rear, resulting in outstanding cardioid characteristics.

Audio Performance

The OCC7 capsule and transformerless output give the CC8 a remarkably linear frequency response, handling extremely high sound pressure levels (SPL) of up to 156 dB, without distorting. Combined with a very-low self noise of only 16 dB(A), this results in an exceptional dynamic range. The CC8 sounds natural and open without becoming harsh or spiky, even at extreme volumes. The mids and highs are silky smooth, never exaggerated.

Ideal Application

• The CC8 excels in capturing the fast transient and spatial information required for an accurate recording
• Small-diaphragm microphones are particularly popular for the detailed recording of various acoustic instruments found in classical ensembles and jazz formations, such as stringed instruments, woodwinds, and brass as well as orchestral percussion
• In addition, instruments found in all genres like acoustic guitar, piano, snares, hi-hat, and entire drum sets (when used as overheads)
• With quieter sources (for example, a soft stringed instrument or a voice) the CC8's low self noise comes into its own, and the nuances of the performance are captured with outstanding detail and clarity

OC7 Cardioid True Condenser Small-Diaphragm Instrument Microphone

The OC7 is a cardioid, true condenser small-diaphragm microphone that utilizes the company's proprietary Open Acoustics technology to capture an open and transparent instrument sound in the studio or live on stage. Great for musicians and sound techs, it features a swivel-joint mechanism that simplifies the process of making fine adjustments to microphone angles by a few degrees without losing their position completely. With a wide 20 Hz to 20 kHz frequency response and capable of handling up to 154 dB of SPL, the OC7 is ideally suited for use on instruments that have particularly lively transients, including all kinds of percussion like snare drums and toms, but also piano and acoustic guitar. The open, silky sound also lends itself for use on various string instruments. The mic is handmade in Vienna and subjected to the strictest quality assurance processes.

Consistent Sound with Linear-Cardioid Polar Pattern

Precise directionality is a prerequisite for the targeted alignment of a microphone. The OC7 use Austrian Audio's Open Acoustics technology to deliver a linear-cardioid polar pattern that captures sound not only from the front but also the "bleed" from the rear or side, evenly and undistorted. This ensures that even the sometimes-unavoidable crosstalk from other instruments still sounds good.

Sturdy Microphone for the Stage or Studio

The OC7's true condenser capsule is perfectly protected by the microphone basket, allowing it to be safely positioned, even in places where the microphone might be subjected to knocks.

The mic features a 2nd order high-pass filter with switchable frequencies at of 40 and 80 Hz.

With an outstanding 154 dB SPL (>160 dB SPL with pad), the OC7 is extremely resistant to overload. A -10 dB pad, which lowers sensitivity by reducing the capsule voltage, enables you to use the mic in front of the loudest sound sources.

Versatile Swivel-Joint Mechanism

Austrian Audio's engineers have developed a swivel system for the microphone basket that allows a 220° rotation of the field. The microphone can be very easily aligned precisely to the sound source or according to personal sound preferences without having to awkwardly adjust or loosen the microphone stand—frustrations such as microphones falling off or fingers pinched on the stand are now a thing of the past. 

OD5 Cardioid Active-Dynamic Instrument Microphone

The OD5 is a cardioid, active-dynamic microphone that utilizes the company's proprietary Open Acoustics technology to capture an open and transparent instrument sound in the studio or live on stage. Great for musicians and sound techs, it features a swivel-joint mechanism that simplifies the process of making fine adjustments to microphone angles by a few degrees without losing their position completely. With a 20 Hz to 18 kHz frequency response and capable of handling up to 151 dB of SPL, the OD5 is ideally suited for use on various percussion and drums, guitar and bass cabinets, and in front of wind instruments. The mic is handmade in Vienna and subjected to the strictest quality assurance processes.

Consistent Sound with Linear-Cardioid Polar Pattern

Precise directionality is a prerequisite for the targeted alignment of a microphone. The OD5 use Austrian Audio's Open Acoustics technology to deliver a linear-cardioid polar pattern that captures sound not only from the front but also the "bleed" from the rear or side, evenly and undistorted. This ensures that even the sometimes-unavoidable crosstalk from other instruments still sounds good.

A Great Workhorse Mic with Many Applications for the Stage and Studio

The OD5 features an active-dynamic circuit to ensure that even long cable runs have no undesirable effect on the signal. In addition, the active-dynamic design allows the integration of a two-position low-cut filter.

The active-dynamic capsule is perfectly protected by the microphone basket, allowing it to be safely positioned, even in places where the microphone might be subjected to knocks.

The OD5 is equipped with a CAB (Cut-and-Boost) filter applied at 80 Hz, which is particularly well suited for use with guitar amplifiers—the filter removes the unusable low-frequency sound and at the same time increases pressure in the bass range. The mic also features a common 2nd-order high-pass filter at 120 Hz.

The mic has a high sensitivity usually found in condenser microphones. With an outstanding 151 dB SPL (>160 dB SPL with pad), the OD5 is extremely resistant to overload. A -10 dB pad, which lowers sensitivity by reducing the capsule voltage, enables you to use the mic in front of the loudest sound sources.

Versatile Swivel-Joint Mechanism

Austrian Audio's engineers have developed a swivel system for the microphone basket that allows a 220° rotation of the field. The microphone can be very easily aligned precisely to the sound source or according to personal sound preferences without having to awkwardly adjust or loosen the microphone stand—frustrations such as microphones falling off or fingers pinched on the stand are now a thing of the past.

DPH12 Drum Holder Microphone Mount

The DPH12 Drum Holder offers a simple and effective way to clamp an OC7, OD5, or CC8 microphone on the rim of a drum or percussion instrument. It features an adjustable clamp and a short and a long extension rod for adjusting the distance between the mic and the drum head. The rods are terminated with 3/8"-16 threads to attach a mic clip or shockmount.

In The Box

• 1x Austrian Audio OC-B6 Cardioid Large-Diaphragm Bass Drum Condenser Microphone 
• 2x Austrian Audio OC18 Studio Set Large-Diaphragm Cardioid Condenser Microphone
  • OCS8 Shockmount 
  • OCH8 Microphone Clip
  • Foam Windshield
  • Protective Carry Case
• 1x Austrian Audio CC8 Cardioid Small-Diaphragm Condenser Microphone 
  • OCH8 Mic Clip
  • CCW8 Windscreen
  • Carrying Case 
• 3x Austrian Audio OC7 Cardioid True Condenser Small-Diaphragm Instrument Microphone
  • OCH8 Microphone Clip
  • MSC2 Case
• 1x Austrian Audio OD5 Cardioid Active-Dynamic Instrument Microphone
  • OCH8 Microphone Clip
  • MSC2 Case
• 4x Austrian Audio DPH12 Drum Holder Microphone Mount
  • Clamp Mechanism
  • Long Extension Rod
  • Short Extension Rod
• CCW8 Windscreen
• 2 x OCW8 Windscreen
• DMC1 Waterproof Case
• Limited 2-Year Manufacturer Warranty