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WIENER URTEXT ED CLAUDE Debussy Preludes Deuxieme Livre For Piano Wiener Urtext Edition

WIENER URTEXT ED CLAUDE Debussy Preludes Deuxieme Livre For Piano Wiener Urtext Edition

WILLIS MUSIC P.LOW & S.schumann The Classical Piano Solos Collection For Piano Solo

WILLIS MUSIC P.LOW & S.schumann The Classical Piano Solos Collection For Piano Solo

BARENREITER BEETHOVEN Ludwing Van 33 Variations On A Waltz Op.120 For Piano Solo

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  • Catalog #: BA09657
  • PIANO SOLO


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33 Variations on a Waltz op. 120 "Diabelli Variations"

Beethoven, Ludwig van

- One-of-a-kind Urtext edition of the complete Diabelli Variations
- First Urtext edition of the “Fatherlandish Union of Artists” Part II variations
- Includes notes on performance practice of Viennese piano music during Beethoven’s day (Ger/Eng)

Edition no. BA 9657
ISMN 9790006528158
Volume / Series BÄRENREITER URTEXT
Editor Aschauer, Mario
Instrumentation of the work Piano
Language(s) of text German, English
Product format Performance score, Urtext edition
Instrumentation Piano
Binding Paperback
Pages / Format XXXI, 63 S. - 31,0 x 24,3 cm

Beethoven’s “Diabelli Variations”, written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach’s “Goldberg Variations” form one of the most important contributions to this genre. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli’s call to create variations for his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel.

The variations first printed by Diabelli fictively as “Fatherlandish Union of Artists Part I” (Beethoven’s op. 120) and “Part II” (the 50 variations of Vienna’s “most excellent composers and virtuosos”) are presented here by Mario Aschauer for the first time in one edition. Furthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print.

A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven’s day complete this special Urtext edition based on the most current research.

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