PRESONUS STUDIOLIVE Ar22 Usb Mixer

PRESONUS STUDIOLIVE Ar22 Usb Mixer

KORG VOLCA Mix Analogue Performance Mixer

KORG VOLCA Mix Analogue Performance Mixer

PRESONUS STUDIOLIVE 16.0.2 Usb 2.0 Digital Performance Mixer

CA$1,359.00
Out Of Stock
SKU
199331
  • Catalog #: STUDIOLIVE 16.0.2USB
  • USB 2.0






Note: Stock availability may not be accurate, please contact your preferred location to confirm.   


Vancouver Store
728 Granville St.
Vancouver, BC, V6Z 1E4
604-685-8471
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Coquitlam Store
2560 Barnet Hwy.,
#116 Coquitlam, BC, V3H 1W3
604-941-8447
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Langley Store
19638 Fraser Highway
Langley, BC, V3A 4C5
604-532-8303
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North Vancouver Store
#800-801 Marine Drive
North Vancouver, BC, V7P 3K6
604-988-9974
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Surrey Store
#157-10090 152nd Street
Surrey, BC, V3R 8X8
604-588-3200
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Richmond Store
#150-3631 No. 3 Road
Richmond, BC, V6X 2B9
604-273-6661
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Victoria Store
#105-2401D Millstream Road
Victoria, BC, V9B 3R5
250-383-5222
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Nanaimo Store
#10-6894 Island Hwy. North
Nanaimo, BC, V9V 1P6
250-390-2626
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StudioLive 16.0.2 USB: 16x2 Performance and Recording Digital Mixer

Portable, Affordable, and Amazingly Powerful

The ease of analog meets the power of digital.

When you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don’t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more.

Small size. Bigger possibilities.

In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.


 

You’ll never run out of signal processors.

StudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.


 

Superior sound.

Connect a StudioLive 16.0.2 USB mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Recording is in StudioLive 16.0.2 USB’s DNA.

The StudioLive 16.0.2 USB’s built-in 18x16 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 16 channels and the main mix continuously stream to your USB-connected Mac or Windows PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease.

Integrated, multiplatform software for flexible control and one-click recording.

Like all PreSonus StudioLive mixers, the StudioLive 16.0.2 USB is tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android™, and iPad®. Control individual monitor mixes onstage with QMix®-UC for iPhone®/iPod® touch and Android™. Automate virtual soundchecks and record shows with Capture™ for Mac and Windows. Edit, sweeten, and digitally release your recordings with Studio One Artist. StudioLive 16.0.2 USB mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

Dedicated analog connections for predictable signal flow.

Take a look at back panel of a StudioLive 16.0.2 USB mixer, and you’ll find the robust connections you’d expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced ¼-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack—no sharing, no compromises—so you always know what’s flowing from each output.

The StudioLive 16.0.2 USB features a generous I/O complement, especially for such a compact digital mixer.

  • 8 mono channels, each with XLR mic and balanced ¼-inch TRS line inputs
  • 2 stereo channels (Channels 9/10 and 11/12) with balanced XLR mic inputs on the odd-numbered channels and balanced ¼-inch line inputs on both sides
  • 2 stereo channels (Channels 13/14 and 15/16) with balanced XLR mic inputs on the odd-numbered channels and balanced ¼-inch line inputs and unbalanced RCA line inputs on both sides
  • 4 aux buses, each with a balanced, ¼-inch output
  • L/R Main outputs on both balanced XLR and ¼” TRS jacks
  • Balanced XLR Mono output
  • L/R pair of balanced ¼-inch Monitor outputs
  • XLR Talkback mic input

 

Add excitement to performances with MIDI control.

Being able to control the StudioLive 16.0.2 USB from an iPad®, iPhone®, iPod touch®, or Android device is cool—unless your hands are busy playing your instrument. That’s why the StudioLive 16.0.2 USB offers MIDI In and Out. Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay, and change the mix for a solo. You can even automate these features with a DAW! It’s a great way to make your performances more exciting and varied, even if you don’t have a separate soundperson.


 

Better mixing with StudioLive family values.

It's easy to love this portable powerhouse. To learn more, visit the Media tab on the upper section of this page ​and watch our StudioLive 16.0.2 USB videos. Better yet, try a StudioLive 16.0.2 USB at your nearest PreSonus dealer. You’ll see what we mean about intuitive ease-of-use. You’ll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality. And you'll come to believe in StudioLive family values.


 

Features

8 mono mic/line channel inputs, each with:

  • High-headroom Class A XMAX mic preamplifier
  • XLR mic and balanced ¼-inch line inputs
  • 60 mm precision fader

4 stereo line channel inputs, with:

  • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11, 13, and 15)
  • Balanced ¼-inch line inputs (Ch. 9-16)
  • Unbalanced RCA line inputs (Ch. 13-16)
  • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)

Fat Channel signal processing on all channels and buses, with:

  • 3-band semi-parametric EQ (individual band on/off)
  • Full-featured compressor
  • Standard downward expander
  • Limiter
  • Phase reverse (12 mic preamplifiers only)
  • Pan with dedicated 15-LED display
  • Stereo link for input channels and aux buses
  • Highpass filter

Software bundle includes:

  • PreSonus® Studio One® Artist digital audio workstation for Mac® and Windows ®
  • PreSonus Capture™ live-recording software for Mac and Windows
  • PreSonus UC Surface mixer-control software for Mac, Windows, Android™, and iPad®
  • Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android™ provides wireless remote control of aux mixes

MIDI Control Mode provides control over:

  • Scene and FX Preset recall
  • Main Volume, FXA, and FXB output levels
  • FXA and FXB assign/unassign to Mains

Tech Specs

Microphone Preamp

  • Type XLR Female, Balanced
  • Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 / -0.5 dBu
  • Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu
  • Input Impedance (Balanced) 1 kΩ
  • THD to Direct Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
  • THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
  • S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB
  • S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB
  • Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
  • Gain Control Range (± 1 dB) -16 dB to +67 dB
  • Maximum Input Level (unity gain) +16 dBu
  • Phantom Power (± 2 VDC) +48 VDC

Line Inputs, Balanced

  • Type ¼" TRS Female, balanced mono
  • Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 / -0.5 dBu
  • Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
  • Input Impedance 10 kΩ
  • THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
  • S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB
  • Gain Control Range (± 1 dB) -20 dB to +20 dB
  • Maximum Input level (unity gain) +22 dBu

Line Inputs, Unbalanced

  • Type RCA Female, unbalanced (stereo pair)
  • Maximum Input Level +22 dBu

Main Outputs

  • Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)
  • Rated Output Level +24 dBu
  • Output Impedance 100Ω

Aux Outputs

  • Type ¼” TRS Female, balanced (mono)
  • Rated Output Level +18 dBu
  • Output Impedance 100Ω

Monitor Outputs

  • Type ¼” TRS Female, balanced (stereo pair)
  • Rated Output Level z +18 dBu
  • Output Impedance 100Ω

System Crosstalk

  • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
  • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu

Noise Gate (Expander)

  • Threshold Range -84 dB to 0 dB
  • Attack Time Adaptive (0.2 - 2.5 ms)
  • Release Time 70 ms
  • Expander Attenuation Range 2:1

Compressor

  • Threshold Range -56 dB to 0 dB
  • Ratio 1:1 to 14:1
  • Response Time (Attack/Release 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”)
  • Auto Attack and Release Attack = 10 ms, Release = 150 ms
  • Curve Types hard and soft knee

EQ

  • Type 2nd-order shelving filter (Q = 0.55)
  • Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB
  • Mid 260 Hz to 3.5 kHz, ±15 dB
  • High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB

Digital Audio

  • Host Interface USB 2.0
  • ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
  • Internal Processing 32-bit, floating point
  • Sampling Rate 44.1, 48 kHz
  • A/D/A Bit Depth 24 bits
  • Reference Level for 0 dBFS +18 dBu

Clock

  • Jitter <20 ps rms (20 Hz - 20 kHz)
  • Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)

Power

  • Connector IEC
  • Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)
  • Power Requirements (continuous) 100W

Physical

  • Length 15.56 inches (397 mm)
  • Width 16 inches (406 mm)
  • Maximum Height 5.5 inches (140 mm)
  • Weight 20 lbs.
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