008 provides eight discrete voices of polyphony with an uncompromising analogue architecture utilising the highest grade components throughout
Two 100% analogue VCO’s per voice with two sub oscillators, providing sawtooth, triangle, square with PWM and noise. Each of the waveforms can be blended together to provide completely new complex wave shapes
Innovative and extremely flexible 15 multi-mode filter, consisting of traditional modes such as low-pass, band-pass and high-pass as well as more unusual notch, phase and combination modes.
Filter overdrive enables the sound to be driven to sonic extremes
A range of classic analogue polysynth features such as oscillator and filter FM bringing amazing sonic power
Two LFO’s, both capable of reaching audio rates with multiple wave shapes and midi sync
11 modulation sources with unlimited destinations. Each destination can be set its own unique depth, a super smooth sample rate of 10kHz and all accessible from the front panel – no menu diving
008 features a range of sequencing options – a built in 2 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel and MIDI sync capabilities. Sequences can also be transposed dynamically while running
A very highly featured arpeggiator with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created
The Modal Electronics Animator, which enables any control parameter on the 008 to be sequenced, enabling very complex filter transisitions, wave form changes and modulation matrix changes to be sequenced
Ethernet port to connect your 008 to your network and enable updates via the internet (no more midi sysex dumps) and access to the Modal Electronics cloud features
Two part multi-timbral (bi timbral) allowing splits across the keyboard or stacks to create amazingly complex sounds
Superb UI, a great departure from the norm of synthesisers, featuring a veryhigh quality 4.3″ screen with wide viewing angle, display is context sensitive where the control parameters of any control knob that is touched by the user, is immediately displayed
Eight ‘quick recall banks’ are accessible directly from the front panel, enabling performing musicians to get rid of their set sheets and build set lists of presets, sequences and animations, all quickly accessible from dedicated front panel buttons. Up to ten banks of quick recalls can be created, making live performance a doddle
Ultra fast (1ms) VCF and VCA envelope generators. VCF-EG is one of the 11 modulation sources that can be freely assigned to any parameter by it’s own unique amount
Four Key Modes – Polyphonic, Monophonic, Unison and Stack
Very high quality construction, uses a premium FATAR semi-weighted five octave key mechanism with aftertouch
All voice control parameters are accessible from a well designed and intuitive front panel, that follows a traditional synthesiser work flow
Combined XLR/TRS sockets for balanced / unbalanced outputs. Further, each of the eight outputs can be brought out individually via a dedicated d-sub socket.
Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available Q2 2015.
Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out
XY joystick and Sustain and Expression pedal inputs for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel selector button