AVANTONE PRO CK-7+ Large Capsule Multi-pattern Fet Condenser Microphone

AVANTONE PRO CK-7+ Large Capsule Multi-pattern Fet Condenser Microphone

NEUMANN TLM 107 Multi-pattern Large Diaphragm Condenser Microphone (black)

NEUMANN TLM 107 Multi-pattern Large Diaphragm Condenser Microphone (black)

NEUMANN TLM 107 Multi-pattern Large Diaphragm Condenser Microphone (nickle)

$1,875.00
In Stock
SKU
170690
  • Catalog #: 008666
  • NICKEL






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  1. Phone your preferred store Store to confirm availability and condition.      
  2. Contact your preferred store Store to confirm availability and condition.      


Vancouver Store
728 Granville St.
Vancouver, BC, V6Z 1E4
Phone Store 604-685-8471
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Coquitlam Store
2560 Barnet Hwy.,
#116 Coquitlam, BC, V3H 1W3
Phone Store 604-941-8447
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Langley Store
19638 Fraser Highway
Langley, BC, V3A 4C5
Phone Store 604-532-8303
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Richmond Store
#150-3631 No. 3 Road
Richmond, BC, V6X 2B9
Phone store 604-273-6661
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Victoria Store
#105-2401D Millstream Road
Victoria, BC, V9B 3R5
Phone Store 250-383-5222
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Multi-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, this standard-setting large-diaphragm microphone provides sound without any coloration. Featuring equally impressive level stability and low self-noise, it captures everything from the softest whisper to thundering drums. For studio, broadcasting and demanding home recording applications.

Classic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up previously unknown design freedom possibilities in mixing and post-production.

Neumann Engineering
The newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical “s” sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.

No-Compromise Sound Design
Transformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level stability. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).

Innovative Operating Concept
For the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After 15 seconds, the displays are turned off automatically.

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