RICO GRAND Concert Select Evolution B-flat Clarinet Reeds #4

RICO GRAND Concert Select Evolution B-flat Clarinet Reeds #4

ALEXANDER SUPERIAL ORIGINAL Superial B-flat Clarinet Reeds #2.5

ALEXANDER SUPERIAL ORIGINAL Superial B-flat Clarinet Reeds #2.5

ALEXANDER SUPERIAL ORIGINAL Superial B-flat Clarinet Reed #2

$3.69
In Stock
SKU
163935
  • Catalog #: S5C2
  • SINGLES PRICING
  • ORIGINAL






Attention! Store stock availability may not be up to date and may be “open box” inventory.      

  1. Phone your preferred store Store to confirm availability and condition.      
  2. Contact your preferred store Store to confirm availability and condition.      


Vancouver Store
728 Granville St.
Vancouver, BC, V6Z 1E4
Phone Store 604-685-8471
  Contact Store In Stock        

Coquitlam Store
2560 Barnet Hwy.,
#116 Coquitlam, BC, V3H 1W3
Phone Store 604-941-8447
  Contact Store Out Of Stock

Langley Store
19638 Fraser Highway
Langley, BC, V3A 4C5
Phone Store 604-532-8303
  Contact Store Out Of Stock

Richmond Store
#150-3631 No. 3 Road
Richmond, BC, V6X 2B9
Phone store 604-273-6661
  Contact Store Out Of Stock

Victoria Store
#105-2401D Millstream Road
Victoria, BC, V9B 3R5
Phone Store 250-383-5222
  Contact Store Out Of Stock

ALEXANDER SUPERIAL ORIGINAL Superial B-flat Clarinet Reed #2 is available to buy in increments of 5


In the early 1990's, after many months of intense development and testing of prototypes, the original "Alexander Superial" was put into production.
Our aim with this first model was to design a reed which produced a warm, resonant "buzz", good projection, even scale throughout the registers, and a wide dynamic range. In other words we wanted this reed to provide a tonal platform that was free blowing, capable of quick and accurate articulation, and one that gave immediate presence.

This was in line with the tonal concept of the "American" style single cut reeds, but with more developed heart and rear vamp area, one with "spring" and natural resilience needed to produce a really big sound.

We ran an extensive testing program with various professionals and we were also fortunate enough to have the valuable feedback from the renowned veteran mouthpiece maker Ralph Morgan, his excellent crew and others.

After all our testing confirmed the good results of the final prototype, we believed we had finally come up with a reed worthy of manufacture.

The combination of a new design influenced by traditional reed making concepts (and therefore in essence "time proven"), and the highest grade of cane we could find, became born as the original Alexander Superial with its yellow labeled tin.

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