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SSHH MUTES PRACTICE Mute For Bass Trombone

SSHH MUTES PRACTICE Mute For Bass Trombone

BACH B.E.R.P. - Buzz Extension & Resistance Piece For Trombone/euphonium

BACH B.E.R.P. - Buzz Extension & Resistance Piece For Trombone/euphonium

BACH B.E.R.P. - Buzz Extension & Resistance Piece For Trombone/euphonium

CA$17.95
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SKU
147965
  • Catalog #: BERP4
  • TROMBONE/EUPH
  • SMALL/MEDIUM






Note: Store stock availability may not be up to date and may be "open box" inventory.      
Please contact your referred store or click Reserve In Store to confirm availability and condition.      


Vancouver Store
728 Granville St.
Vancouver, BC, V6Z 1E4
604-685-8471
  Reserve from this store Out Of Stock

Coquitlam Store
2560 Barnet Hwy.,
#116 Coquitlam, BC, V3H 1W3
604-941-8447
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Langley Store
19638 Fraser Highway
Langley, BC, V3A 4C5
604-532-8303
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North Vancouver Store
#800-801 Marine Drive
North Vancouver, BC, V7P 3K6
604-988-9974
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Surrey Store
#157-10090 152nd Street
Surrey, BC, V3R 8X8
604-588-3200
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Richmond Store
#150-3631 No. 3 Road
Richmond, BC, V6X 2B9
604-273-6661
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Victoria Store
#105-2401D Millstream Road
Victoria, BC, V9B 3R5
250-383-5222
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Nanaimo Store
#10-6894 Island Hwy. North
Nanaimo, BC, V9V 1P6
250-390-2626
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Birth of the BERP

The Berp comes from the concept of mouthpiece buzzing, which has been used as a teaching technique for brass players for many years. One of the leading proponents of buzzing the mouthpiece was James Stamp. I had the great honor of studying with Jimmy while I was a member of the Los Angeles Philharmonic, and his teachings influence the exercises and practice suggestions that make up the berp concept. He had students add resistance to the mouthpiece when buzzing by either placing their little finger over the end or adding a rubber electrical extension called an “alligator clip.” By learning to blow into resistance, you become more aware of undesirable resistance in your body, and learn how to avoid it by using proper breath support. Jimmy also asked us to finger the valves of our instruments while buzzing the mouthpiece, to make us aware of the connection between the fingers and the brain’s perception of pitch. I put the two ideas together, buzzing and fingering (or moving the slide) to the corresponding pitch, to maximize the benefits for my students and myself.~Mario Guarneri, Inventor of the berp

To see what people are saying about The Berp, click here

What is a Berp?

Simply put, The Berp is the most efficient tool you can use to help yourself become a better brass player. It helps you develop proper breath support by blowing into resistance, letting you buzz your mouthpiece while you hold your instrument in the regular playing position. The Berp also lets you press your instrument’s valves or move the slide to match the pitches you’re buzzing, so you gain ear-training benefits through reinforcing the connection between buzzing the mouthpiece and playing.

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How to berp

The clamp. The Berp clamp fits firmly onto the open end of the instrument’s receiver,
with the mouthpiece removed. It’s designed to tighten around a round, hex, or convex-shaped opening.

If a receiver has an oversized ring at the opening, it may be necessary to push the clamp
past that before tightening down. For some receivers, you may also need to add black
electrical tape to the inside of the clamp to help prevent slippage and ensure a secure fit.

Most people prefer to line The Berp up parallel to the receiver at the “three o’clock” position. You may want to experiment with other positions to determine what’s best for you. Once The Berp is firmly attached, you can easily alternate between buzzing and playing your instrument by switching the mouthpiece.

The resistence dial. The dial for the trumpet, horn, and cornet Berp should be positioned below the holes and pushed up to partially cover them to create the desired resistance. The dial on The Berp for trombones, euphoniums, and tubas should be positioned above the holes and lowered to create the desired resistance. Beginners usually have a better chance of getting a good buzz with slightly more resistance. Once a good buzz is achieved, resistance on The Berp should be dialed
similarly to that of the instrument.

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